Monday, December 6, 2010

Buried Treasure from the WPA Era

WPA Mural

The Works Progress Administration (WPA) was created by President Franklin D. Roosevelt in 1935 as a continuation of his New Deal, a campaign to revive American optimism and create jobs during the dark days of the depression. From 1935 to 1943 roads and public buildings were built and over eight million jobs were created.

In addition, the WPA’s Federal Art Project hired thousands of artists. “More than 20,000 paintings, murals and sculptures were produced by artists who were paid up to $42 a week. Among them were future superstars Jackson Pollock, Willem de Kooning, Mark Rothko and Thomas Hart Benton. Much of the art was installed in public places such as schools and hospitals.”

Just in the past few years, the General Services Administration (GSA) has recovered at least 150 pieces of art.


The Postal Service owns more than 1,200 murals and sculptures that were commissioned by the Treasury Department's Section of Fine Arts from 1934 to 1943. Post office art wasn't meant to create jobs, says Dallan Wordekemper, preservation officer for the Postal Service. Instead, artists competed to create works that would boost morale during the Depression.
The idea, Wordekemper says, was to "bring art to the populace" without charge in a place they visited daily — the local post office. Art that is recovered and restored, he says, often goes right back on post office walls or libraries for the same reasons.

Wordekemper has no budget for repairs, but he says he can sometimes scrounge up funds if a community is willing to raise half the cost. Residents of Herrin, Ill., are collecting donations now to repair a post office mural that had been AWOL for years before the son of a former postal employee returned it. It shows Indians meeting with Revolutionary War hero George Rogers Clark.
Many of the artworks have been lost or destroyed over the years but communities around the country are trying to rescue them. The U.S. Postal Service is diligently working to conserve surviving post office art. The GSA “is cataloguing art created with WPA funding . . . and recovering works that are for sale in auction houses or online.”


Other on-going projects include:

University of Rhode Island: During the renovation of a campus building in July, workers who were tearing down the drywall found six murals behind the plaster. They were painted 71 years ago by Gino Conti and have been hidden for 43 years. The $1.5 million project was paid for by federal stimulus funds.

South Pasadena, California: The “PTA raised $7,000 and won an $8,000 National Trust for Historic Preservation to restore a 1933 bas-relief sculpture showing Civilian Conservation Corps. workers at South Pasadena Middle School. The sculpture had been painted over because its artistic value wasn’t recognized and then sandblasted . . . .”
Florida: St. Petersburg Preservation is monitoring two huge murals of George Snow Hill’s fanciful jungle scenes in a commercial building but the redevelopment project is on hold.

Chicago: When I think of Chicago I think of two things: fantastic food and art everywhere you look. “A grass roots effort and money from arts groups, corporations and the city saved 400 artworks in Chicago public schools, 166 of them by WPA artists. The city has a trove of the art because it was a hub of muralists studying at the Art Institue of Chicago when the WPA began. . . .”

I suppose there’s no chance that our current administration would have the foresight to embark on a modern day WPA. But even if an attempt to launch such a program were made, the Republicans would surely kill it before it even came out of committee.

I couldn’t find illustrations of any of the works featured in this article but following are some of the fine artworks that were produced in those dreary days. Maybe they didn’t put much food in the bellies of the artists but they provided a needed morale boost for the people during that time and an appreciation of the history of that era for the people of today.

WPA Mural
Rudolf Weisenborn
Contemporary Chicago, 1936

WPA Mural
Marguerite Zorach
Hay Making Scene, 1939
Monticello, Indiana

WPA Poster


WPA Mural

6 comments:

  1. tnlib, thank you for this post. It reminds us there were leaders who understood that inspiration for the spirit was just as important as sustenance for the body. These days, the politics of cynicism and sneer is all we have left, and it leaves us more impoverished than ever.

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  2. That's wonderful stuff, tnlib! Inspires me to revisit an old beach I used to go to when I was a kid -- WPA built a remarkable stone pathway down to the sand, and I had much fun as a little dino skipping up and down that path.

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  3. My thanks as well. I have a great fondness for American art of this period and have a piece or two in my collection. I once had a friend in fact who was a WPA muralist and print maker, but I won't get into that sad story.

    There is a strong link between Socialism and the social realism done here and abroad. I've thought much about it and others have written a bit about it, but left-leaning social consciousness has produced much powerful art while extremist movements on the right and left (which may really be the same thing) don't make art or music or poetry or architecture worth enduring. Humor either for that matter.

    Compare a Goya to a Hitler, for instance -- a Diego Rivera socialist mural, and anti-Fascist Picasso to the kind of art the Fascists preferred, if you can call it art at all.The most remarkable art of the 20th century was marked for destruction as decadent.

    Right wingers still, after over a hundred years, look at the best of the best and sneeringly ask "what's it supposed to be?"

    Not a good topic to get me wound up about, so I'll shut up now. ;-)

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  4. Thanks everyone. I just happened to come across this article which rekindled my interest in the WPA era and in the art. One can't help compare what was done then to what isn't being done now.

    Old post office buildings provide a lot of history and I'm thrilled that so many of these artworks are being unearthed and refurbished. Nashville has a beautiful old art deco (former) P.O. building. When they built a new bland structure out by the airport the Frist Family bought it and turned it into an impressive fine arts museum.

    "...extremist movements on the right and left (which may really be the same thing) don't make art or music or poetry or architecture worth enduring. Humor either for that matter."

    Correct on both counts. A polly sci prof once said that if you took a straight line and drew it out to its extremes on the right and the left, they would meet and become one and the same. I don't know whether or not that was his theory or he lifted it from someone else.

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  5. This is such a treasure of a post! while I had a vague recollection of this program I did not realize the scope of the involvement. I am so glad efforts are underway to save some of these beautiful and historic works of art.

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  6. I'm no scholar on the Great Depression - or anything else really - but I've always been interested in that era (and WWII). Now I find myself exploring it more and more - probably due to Joe Klein's book on Woody Guthrie that I read a couple of years ago. The only book I've ever read twice back to back.

    Now I keep comparing how people survived/existed back then to how they might get by today. Would it make us a kinder more gentle nation or would we have total anarchy?

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