INTERNATIONAL WOMEN’S DAY 2009

Yesterday (March 8, 2009) was International Women's Day. In the spirit of starting a new tradition, let us honor the women of the Swash Zone, including our contributors Maleeper, Rockync, and Squid; our daughters, mothers, sisters, and wives; and our friends across the blogosphere, Cara, Interrobang, Jennifer, Libby, and Lindsay, and others too numerous to mention.

In 1975, International Women’s Day won official recognition by the United Nations and is now a national holiday in 16 countries including Canada, China, Armenia, Russia, Azerbaijan, Belarus, Bulgaria, Kazakhstan, Kyrgyzstan, Macedonia, Moldova, Mongolia, Tajikistan, Ukraine, Uzbekistan and Vietnam … but sadly not the United States.

Below are some of the global United Nation themes used in past International Women's Day commemerations:

- 2008: Investing in Women and Girls
- 2007: Ending Impunity for Violence against Women and Girls
- 2006: Women in decision-making
- 2005: Gender Equality Beyond 2005: Building a More Secure Future
- 2004: Women and HIV/AIDS
- 2003: Gender Equality and the Millennium Development Goals
- 2002: Afghan Women Today: Realities and Opportunities
- 2001: Women and Peace: Women Managing Conflicts
- 2000: Women Uniting for Peace
- 1999: World Free of Violence against Women
- 1998: Women and Human Rights
- 1997: Women at the Peace Table
- 1996: Celebrating the Past, Planning for the Future

The question for today: What would be an appropriate theme for International Women's Day 2009?

WOMEN IN ART

Digital Video by Philip Scott Johnson

Five hundred years of female portraits in Western Art.
Music: Bach's Sarabande from Suite for Solo Cello No. 1 in G Major, BWV 1007 performed by Yo-Yo Ma.

In the old days before the availability of computer-generated imaging techniques, a sequence of still photos would be called a “montage,” and the choice of continuity would be the “lap dissolve.” Following a shooting script similar in concept to traditional cell-animation, 2-dimensional artwork would be photographed on a rostrum camera having compound X, Y and rotational movements.

Although similar in concept, digital techniques add an extra dimension … the ability to interpolate colors and forms, also called “morphing,” between still subjects. Early morphing techniques often resulted in bizarre effects ... in-between frames appearing misshapen and grotesque. In this example, Johnson avoids these pitfalls. Subjects merge smoothly, and the effect is pleasing. The execution is a worthy tribute to women in art.